February 26 – March 2, 2025
Four Seasons Centre for the Performing Arts
Under the leadership of Artistic Director Hope Muir, The National Ballet of Canada continues to push artistic boundaries, commissioning new works and expanding its repertoire to reflect the evolving landscape of dance. The company is dedicated to fostering Canadian talent, and providing opportunities for emerging choreographers, dancers, and designers while maintaining a strong presence on the global stage. Beyond performances, the ballet engages with communities through educational initiatives, outreach programs, and digital presentations, making the art form more accessible to a broader audience. With a rich history and a forward-thinking vision, The National Ballet of Canada remains at the forefront of the international dance scene, inspiring generations of artists and audiences alike.
The National Ballet of Canada is set to present an exceptional mixed programme from February 26 to March 2, 2025, at the Four Seasons Centre for the Performing Arts in Toronto. This triple bill features the North American premiere of David Dawson’s “The Four Seasons,” the world premiere of Marco Goecke’s “Morpheus’ Dream,” and a revival of Antony Tudor’s “The Leaves Are Fading” in honour of its 50th anniversary.
Performances
February 26 at 7:30 pm
February 27 at 2:00 pm & 7:30 pm
February 28 at 7:30 pm
March 1 at 2:00 pm & 7:30 pm
March 2 at 2:00 pm
The Four Seasons
David Dawson, acclaimed for his innovative choreographic style, brings “The Four Seasons” to North American audiences for the first time. Set to Max Richter’s reimagined composition of Antonio Vivaldi’s iconic score, this contemporary ballet explores life’s cyclical nature and time’s passage. Dawson’s dynamic choreography, known for its expansive movements and emotional depth, promises to offer a fresh and compelling interpretation of a classic theme.
Morpheus’ Dream
The programme continues with the world premiere of “Morpheus’ Dream” by German choreographer Marco Goecke. This marks Goecke’s first commission for The National Ballet of Canada, following the company’s acquisition of his “Spectre de la Rose” in 2014. “Morpheus’ Dream” delves into the enigmatic realm of dreams, presenting a fraught relationship within an uncertain dreamscape. The ballet is characterized by Goecke’s signature movement style, oscillating between serenity and fitful energy, creating a unique and introspective experience for the audience.
The Leaves Are Fading
Concluding the programme is Antony Tudor’s “The Leaves Are Fading,” a poignant work reflecting on the passage of time and the ephemeral nature of life. Set to lyrical chamber music for strings by Antonín Dvořák, this ballet has a quiet poetry that resonates deeply with audiences. Not performed by The National Ballet of Canada since 1995, its revival commemorates the 50th anniversary of its creation, offering both longtime ballet enthusiasts and new audiences an opportunity to experience Tudor’s timeless choreography.
Artistic Director Hope Muir has curated this programme to highlight themes of reflection and change, showcasing a blend of contemporary innovation and classical elegance. The combination of premieres and a historic revival underscores the company’s commitment to presenting diverse and thought-provoking works that captivate and inspire.
Tickets for this limited engagement are available through The National Ballet of Canada’s official website. Attendees are encouraged to secure their seats early, as this compelling triple bill is anticipated to attract significant interest from both ballet aficionados and newcomers alike.
.About The National Ballet of Canada
The National Ballet of Canada, founded in 1951, is one of the country’s premier dance companies, renowned for its world-class performances and diverse repertoire. Based at the Four Seasons Centre for the Performing Arts in Toronto, the company presents a dynamic mix of classical and contemporary ballets, from timeless works like Swan Lake and The Nutcracker to innovative creations by leading international choreographers. Under the leadership of Artistic Director Hope Muir, the National Ballet continues to push artistic boundaries while nurturing Canadian talent and engaging audiences both at home and abroad.
