Open to the donors on April 5, 2019
Open to the members on April 23, 2019
Open to the public on May 5, 2019
Infinity is possible! Last spring, hundreds of people lined up around the block day after day for the chance to secure tickets to the touring art exhibition Yayoi Kusama: Infinity Mirrors. One year later, following an ambitious crowdfunding campaign, the AGO announces that Canada’s first permanent Infinity Mirror Room will open to the public on May 25.
“We know that the people of Toronto have a special bond with Yayoi Kusama, and I am excited to see that grow,” said Stephan Jost, the AGO’s Michael and Sonja Koerner Director, and CEO. “Support from individuals is critical to the AGO’s mission to bring people and art together. That this incredible artwork now belongs to the people of Ontario is a testament to the power of people coming together. Together, we achieved infinity.”
Yayoi Kusama’s INFINITY MIRRORED ROOM – LET’S SURVIVE FOREVER is now a part of the AGO Collection and makes its Canadian debut this spring. It is the first contemporary artwork acquired in Canada through a major crowdfunding campaign. Launched last November, the #InfinityAGO campaign engaged with thousands of people to raise funds to bring the artwork to Toronto forever. From first-time donors to long-time AGO supporters, over 4,700 people supported #InfinityAGO. While gifts ranged from $1 to $25,000, the majority of donations were between $25 to $100.
Fewer than 20 Yayoi Kusama Infinity Mirror Rooms are on view worldwide. First realized in 2017, LET’S SURVIVE FOREVER is larger than most, featuring mirrored orbs suspended from the ceiling and arranged on the floor. A mirrored column inside the room invites visitors to peer into a seemingly infinite field of silver spheres. Up to four visitors can enter the work at one time, and visitors can spend up to one minute inside.
“LET’S SURVIVE FOREVER is an exciting example of the unique visual language Kusama has been developing since the 1960s, stemming out of pop art and minimalism,” said Adelina Vlas, the AGO’s Associate Curator of Modern Art. “In this immersive space, Kusama casts us, the visitors, as the central characters, challenging us to think about how we see ourselves, while metallic spheres simultaneously reflect and distort our image.”
Beginning May 25, visitors wishing to see the Infinity Mirror Room will be directed to the Kusama Kiosk on Level 1 of the AGO, where they can reserve a same-day time slot. The artwork will be located inside Signy Eaton North Gallery on Level 2, and access will be via Galleria Italia. It is included in General Admission.
Donors who contributed $25 and more (who did not waive their benefits) will have a chance to see LET’S SURVIVE FOREVER first, beginning April 5. AGO Members have the chance to see the artwork for free beginning April 23. For more information about how to see the artwork, click here.
ABOUT YAYOI KUSAMA
Yayoi Kusama was born in Matsumoto, Nagano, in 1929, and currently lives and works in Tokyo. She studied traditional Nihonga (Japanese-style) painting in Kyoto and moved to New York City in 1958. There she was active in avant-garde circles during the formative years of pop art and minimalism, exhibiting her work alongside such artists as Andy Warhol, Claes Oldenburg, and Allan Kaprow – figures who have cited Kusama as influential to the development of assemblage, environmental art, and performative practices. Kusama exhibited widely in Italy, Germany, and the Netherlands in the mid-1960s, participating in exhibitions with artists associated with Nul, Zero, and the New Tendency movements. In this context, she began developing her interest in the optics and interactive elements of mirrors, electric lights, sound, and kinetics. Her visibility grew in the late 1960s through her radical anti-war happenings, which put nudity and polka dots into the streets of New York. Due to ongoing struggles with her health, Kusama returned to Japan in 1973, where she has since resided. In recent years, she has achieved celebrity status and more importantly tremendous critical respect for her artistic contributions.
Installation sponsored by Shiseido.
